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Oscar Guzmán
"The City of Galvez"
"The images of the City of Galvez constitute a document of a place that exists at some level of Reality. Galvez, with its famous Floating Cupolas, its capricious architecture and its advanced methods of urban transport, constitutes a peculiar document: Despite having characteristics of a photographic record, the images of Galvez don’t have and never have had a counterpart in the physical world."
Oscar Guzmán
(16 black & white photographs)
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Nelson Gustavo Olivera Caballero
"Gray"
"This series is a book of tales. Each image tells an
instant story, made of photos and textures. A
storyteller resorts to fragmented, yet recognizable,
images to reconstruct the frame of a story, thus
rescuing the essence of drama and human
comedy, expressing the mystery of life and death
beyond words."
(15 black & white photographs)
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Núcleo de Estudios de la Fotografía
"Visible Cities"
"The working group "Visible Cities" is a proposal of the "Núcleo de Estudios de Fotografía" to eight photographers who live in Curitiba. The idea is that each one develops a new visual poetic from his / her own experience in the city."
(32 color and black & white photographs)
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Jorge Uzon
"Guatemala"
1996 - 2000
"These are recent crimes. You can still see fear in these faces. It’s hard to believe that the genocide in Guatemala happened just over 20 years ago. There are almost no photos of it. Guatemala’s tragedy doesn’t have the place it merits in the history of infamy perhaps for this reason: there are no photos. Or there aren’t many, if we take into account the images James Natchwey, Jean-Marie Simon or Alon Reininger, along with a few others, made of Guatemala in the 1970s and 1980s."
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Lucio Carvalho
"Subdivisions"
"The exhibition “Subdivisiones” (Subdivisions) by visual artist Lucio Carvalho is the result of a long quest that started at his childhood. As in his memories, his images were realized based on digitalized photographs that depict a great banquet hall, where the guests are people that are looking for their true identities. According to the artist, the table is how people show their weaknesses and strengths, when the viewers see them, they identify themselves with their secrets and revelations."
Lucio Carvalho
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Vivian Bibliowicz
"Stories of V "
"Vivian Bibliowicz’s recent work explores eroticism in its dimensions of ritual and staging which, above all, conveys the concept of the photographic act as an exhibitionist one, as a form of expression intended for that extraneous glance. Such a hypothetical glance is one of a male, assumed to be the paradigm of the Western view of photography especially where it concerns female nudity."
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Germán Herrera
"Between Here and Now"
"Most of these images were felt, not thought. The reason for their
creation is because they can be created. Creative Principle at work,
playing. The work points to a certain direction, the viewer is to
balance the equation; she/he may recognize some aspect of the self in
the piece, if so two parts of the whole have communicated. These are
glimpses into the Vastness where everything comes from."
Germán Herrera
(40 black & white photographs)
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Ernesto Muñiz
"Terminal Images"
and
"Experimental Graphics"
"The reason lying behing the art of ambalming have changed in modern times. The memory of Marlon Brando as the Godfather going to see a man that had profited from his generosity in not yet vanished, and he was precisely, an embalmer. "
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Pedro Meyer
"The Camera's Brushes "
"This work wants to question at the same time the media itself, as much as it wants to explore the medium and what it can deliver as far as aesthetic explorations. Towards that goal, it has taken upon itself to investigate the notion of portrait making, by taking it in a new direction as well. “The cameras' brushes” intends to present the viewer with a diversity of new dialogues, rather than particular answers, it raises many questions, which the observer might wish to respond to."
"The Angel and Her Devils"
"The series of the "Angel and her Devils", originated during a visit to Chalma at the time of a pilgrimage to the sanctuary. Although steeped in modern technologies, this work, is still influenced by traditions that are centuries in their making."
Pedro Meyer
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Adrian Bodek
"Spending a Month with Mexicans in Los Angeles"
"In June 2005, I had the opportunity of living for a month in Los Angeles, California. While I was in LA- the city with most Mexican residents after Mexico City- I made a series of portraits. I made contact with Mexicans living there through friends and acquaintances.
I thought it was important for the project to shoot the portraits in each subject’s environment, either in their homes or workplaces, thus reflecting the kind of life they lead and, in some cases, how they have adapted to the new place."
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David Blumenfeld
"Child Hunger in Ethiopia"
"Historically, Ethiopia bears witness to the worst droughts on the planet. Record-low rainfall often leads to failed-crops, loss of livestock, malnutrition, and a sharp increase in disease. However, perhaps the most tragic manifestation of this ongoing tragedy is child hunger."
David Blumenfeld
(30 black & white photographs)
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Pedro Stephan
"Brazilian Homosexual Culture "
"Pedro Stephan lives in Rio de Janeiro he has made a portfolio about gay culture: portraits, prideparades, male beauty, sweetie girls, cultural events, actvism and eroticism."
Pedro Stephan
(20 color photographs)
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Marisol
Fernández
"An Unusual Album"
"Within this album I am presenting a totally emotional work. I search for colors, forms, sizes. Composition acquires its own shape, and as it pieces together, it starts to make sense to me. It starts to tell me personal histories —I do not know if lived or dreamed, but definitely all mine. Here I do not talk about myself, but rather the images talk to me about myself: they recount my own history; they help me heal wounds that rationally I cannot find how to alleviate."
Marisol Fernández
(16 color photographs)
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Shadi
Ghadirian
"Qajar" and "Like Every Day"
"I
am a woman and I live in Iran. I am a photographer
and this is the only thing I know how to do. I began
work after completing my studies. Quite by accident,
the subjects of my first two series were "women".
However, since then, every time I think about a new
series, in a way it is related to women.
It
does not make a difference to me what place the Iranian
woman has in the world because I am sure no one knows
much about it.
Perhaps
the only mentality of an outsider about the Iranian
woman is a black chador, however I try to portray
all the aspects of the Iranian woman. And this completely
depends on my own situation."
Shadi Ghadirian
(35
color photographs)
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Yolanda Andrade
"Figures and Artifices"
"Photography
in color makes me look to other aspects I leave unattended
in my work in black and white. One of them is that
the plot is not as important as color itself, the
quality of the light and the shape. Another aspect
is the absolute freedom of constantly finding images
that I enjoyed visually, but were not –to put
it in words- part of my black and white interests.
I have also brought back the issue of photographic
representation, which was the one I started with when
I took on this medium. The observation of objects
and spaces inhabited by human beings, but without
their presence."
Yolanda Andrade
(31
color photographs)
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Werner
Bischof
"Despite
his untimely death, Werner Bischof has left
us a photographic legacy of different times
and places that shows his very unique style,
and his personal view of the world of the 20th
Century.
In
this exhibition, Zonezero brings a selection
made through the efforts of recovery, dissemination
and selection that his son, Marco Bischof has
performed for the past few years, specially
through 2004, the year of the 50th anniversary
of the car accident that took away the life
of this extraordinary photographer."
ZoneZero
(60
black & white photographs)
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Nate Larson
"Stories"
"Burn
marks in the shape of South America. Mysterious
noises and voices caught on magnetic cassette
tapes. Circumstantial coincidences linking events
in my life with lives as disparate from my own
as that of Elvis Presley and the Pope. Mysterious
shapes in the sky recorded in Polaroid photographs.
Epiphanies revealed by falling down flights of
stairs. Clad in a short sleeve white dress shirt
and striped tie, I whisper these and other stories
taken from my life and the lives of those around
me.
The clothes function elusively; I’m the everyperson – the salesperson
at the store, the co-worker at the office, the religious zealot on the street
corner."
Nate
Larson
(25
black & white photographs)
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Ivaldo
Cavalcante
"Contemporary Crazies"
"He
leaves the bar. White shirt, linen pants with the
color of dark ashes, square frame glasses the clean
cut young man smiles. He reminds us of any twenty
year-old roaming the corridors of a university with
his chemistry and physics books under his arm. He
shows his tongue to the crowd. She is divided in half
like the tongue of a lizard. Her nickname is “Lagartixa”
(Lizard). The scene will be performed soon. 4 meter-high
scaffolding with chains and a ladder in the middle,
a chair and a table full of needles and oversized
fishing hooks."
Ivaldo Cavalcante
(11
color photographs)
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Fernando Montiel klint
"Acts","Hotel","Tres"
Acts:
Attitudes before the camera, I record the instantaneous
situations with no further purpose than the photographic
act.
Hotel. The mind game of undressing people and through
this photographic sequence I made it tangible.
Tres. This project is based on Freud's psychic apparatus
(Ego, Super Ego and Id). I Stage in photographs the
conscious and subconscious though my three persons
based on this scheme, through self-representation
based on previous draughts."
Fernando Montiel Klint
(35
color photographs)
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Bablu
Chowdhury
"The Street Dentist"
"Amjad
Mia, a Fifty-five years old self taught dentist, sits
on the footpath to attend his patients. This is an everyday
scene for the people of Saver bazaar, approximately thirty
kilometers away from Dhaka."
Bablu Chowdury
(10
black & white photographs)
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Eder Chiodetto
"The Writer's Place"
"What
is Writer's places? Here we see visual records of
physical spaces, and we feel psychological ones as
well, which certainly surpass the former. What is
the writer's place? Everywhere. As is the place of
photography, it is everywhere, eternally searching;
it surrounds and follows its object of desire and
of perpetuation."
Boris Kossoy
(26
black & white photographs)
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Marcelo
Correa
"Fair of Senses"
"Fair
of Senses is an investigation of the use of color in photography
through the genuine Brazilian culture. The project is
an experience that explores the colors in São Cristovão
Fair, a show of Brazilian northeast regional traditions
in the heart of Rio de Janeiro."
Marcelo Correa
(25
color photographs)
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Leonor Solis
"So close, so foreign, so own, so distant"
"I
live in strange times, everywhere is filled with contrasts,
almost simultaneously; I can see places with the highest
technologies opposed places that are yet to have the
most basic services, that seem to be lost in time.
Thousands of intertwined social, political economic
and historical reasons generate this reality."
Leonor Solis
(22
black & white photographs)
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Peter
Calvin
"Artifacts
from the Vernacular Urban Landscape"
"These
images are both a record of, and comment on, the contemporary
vernacular landscape. Working primarily in downtown Dallas,
Texas, I have been looking at signs and text (particularly
the hand-painted), small, marginal and/or closed businesses,
parking lot kiosks and pay boxes, and I am beginning to
look at the other spaces and resources we set aside for
automobiles, and how the city is designed to accommodate
them."
Peter Calvin
(29
color photographs)
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Johannes Hepp
"The days after"
"The
series 'The days after' shows daily life in a new
era of terror, referring to the movie 'The day after'
that expressed the fear of a nuclear escalation in
the 80's.
These urban spaces become crystallization points in
which social relationships and collective experiences
are registered, bearing witness to an era that will
go into history as 'The era of terror'."
Johannes Hepp
(14
color photographs)
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