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Manuel Rocha

"This exhibition is the result of 7 months of work in Japan. I lived there from August 2001 to April 2002. The main goal of my original project was to interact with Japanese culture and to produce sound art works that would be the result of this interaction. The emphasis and focus on the discipline of listening is fundamental in Japanese culture."

Manuel Rocha

This exhibit requires the QuickTime 6.0 plug-in.

(51 color photographs,
19 QuickTime videos and 5 audio files)

Marcela Taboada

"I started this project in 1999 as a documentary about the women of San Miguel Amatitlan in Oaxaca, Mexico, who where building their own houses."

Marcela Taboada

(18 black and white photographs)

Dominic Rouse


Dominic Rouse

"One thing the photographs all have in common and that is impeccable craft. Many of the pictures had their genesis in drawings years ago and the images are constructed more like a sculptural work or a film than a photograph"

Victor H. Carroll

(20 black and white photographs)

David Stock

"The scars we leave on the land betray a wider addiction to conquest and domination; a constant, casual recourse to hypocrisy and denial. We benefit from the machinery of plunder, but are ultimately trapped by it. No wonder that in the end even our own captive, domesticated landscape reproaches us..."

David Stock.

(23 black and white photographs)

Tetsuya Tamano

"Tetsuya Tamano Developed this body of work during his residency at Fábrica, Benetton’s communication research and development centre. When asked to develop a visual project to depict his view of contemporary society, Tetsuya came up with these strong and often disturbing images"

Fábrica

This exhibit requires the Flash 6.0 plug-in.

(12 color and black and white photographs)

Steve Pike


Steve Py
ke

I remember in 1969 sitting with my mother and father and watching Neil Armstrong and Buzz Aldrin walk on the moon. The memory will never leave me. From it came a desire to meet and photograph the principal characters in this incredible story.

Steve Pyke

This exhibit requires the QuickTime 6.0 plug-in.

(18 color and black and white photographs)

Mike Abrahams

This body of work which has taken up the last four years has been spent with a group of people for whom there is no doubt, only certainty, passion and an absolute conviction dominate their lives. These are people in whose name more wars have been fought and even more have been oppressed and manipulated. The certainty of those Christian pilgrims who I worked with for FAITH, was something painful and at the same time ecstatic, something deeply personal and mysterious.

Mike Abrahams.

(24 black and white photographs)

Guelatao

This project is meant as a contribution to the contemporary presence of native cultures in Mexico, so that they can be seen as creation rather than folklore or handicraft. "The Inner Gaze: Photographers from Guelatao" documents the habits and customs that are part of the daily lives of the community. Photography becomes the mirror through which the world of Guelatao is approached in its most critical proximity: the inner gaze.

Mariana Rosenberg

This exhibit requires the Flash 6.0 plug-in.

(24 black and white photographs)

John Lucas

This exhibit requires the Flash 6.0 plug-in.

(20 color photographs)

Ana Casas Broda - Album

This work is the result of my need to find my roots and an identity. The process of making the book became an exploration in many ways. I submerged myself in my own diaries and those of my grandmother and once again discovered that we share a profound need to capture time through words, photographs, tapes, film and videos. And these objects allow us to see our life cycle.

Ana Casas Broda

This exhibit requires the QuickTime 6.0 and Flash 6.0. plug-ins.

(84 color and black and white photographs)

Jeronimo Arteaga - Living in the desert

Living in the Desert was not created to denounce this situation but as a documentary work, and also as a thought exercise. When the people I take portraits of ask me what I want the pictures for, I answer that I want to show them to other people. I tell them that their life and their way of life is interesting to other people in other parts of the world. Basically, I seek to recognize myself in others.

Jeronimo Arteaga

This exhibit requires the QuickTime 6.0 plug-in.

(20 black and white photographs)

King.The Photographic Representation

With emerging, innovative, digital imaging technology, the practice of photography has been extended to include manipulation6 by digital tools in the post-photographic stage. This has challenged notions of analogue photography which argued that once an image was recorded by optical means then the image became a physical (mechanical) proof of origin of an event.

King Tong Ho

(19 color photographs)

Santiago Porter


Santiago Porter
The Absence

On July 18, 1994, at nine fifty three in the morning, a bomb exploded in front of the building of the Argentine Jewish Mutual Association.

In a way, the AMIA was the home of the Jewish community in Buenos Aires. In the building, located in the heart of the city, a whole set of social, cultural and educational activities took place.

Santiago Porter

This exhibit requires the Flash 6.0 plug-in.

(12 black and white photographs)

Gerardo Gonzalez

In most cases, the life a dog is forced to lead with us humans in society is not pleasant. These are suffering beings. "A Dog’s Life" attempts to portray human consciousness as reflected by the life conditions we have imposed on these living creatures we call dogs.

Gerardo Gonzalez.

(27 black and white photographs)

Hector Mendez Caratini

During the period of time (April, 1999  to May, 2000) when  civil disobedience camps were established within the Navy's restricted areas in Vieques, Puerto Rico,  there was a marked improvement in Nature's greens,  evident nesting of species in danger of extintion and ever present feelings of unity and spirituality among human beings.

Hector Mendez Caratini.

(48 black and white photographs)

Guillaume Zuili

Berlin 1999 is a central part of an ongoing project about memory in Europe, namely in citie,s like Moscow London and Paris.
Berlin, being a unique city, was both actor and witness of major events in the last century that changed the map of Europe.

Guillaume ZUILI.

(18 black and white photographs)

Effie Fotaki


Effie Fotaki
Invisible City

Another guiding element in this sequence of images is the absence of the human factor; or to put it in other words, the replacement of the human factor by human representations.
A comment is made on how identity is now defined by the gears and buildings that surround us; it is a critique of the urban sprawl.

Effie Fotaki

(12 black and white photographs)

Joe Rodriguez


Joe Rodriguez

Smoke and ash billow into the sky after the last of the two Twin Towers of the WTC collapses into rubble after being rammed by two hijacked jetliners in a terrorist attack on the United States.

Joe Rodriguez

(62 black and white photographs)

Hector Garcia


Héctor García

Héctor García’s work as a photojournalist acquired great significance at the time because of his unwavering desire to express his ideology through images. Unlike the majority of his colleagues, García managed to combine a feel for information with the distinctive thought of an age where the identity of Mexican culture was a constant preoccupation of writers and artist.

Alejandro Castellanos.

This exhibit requires the QuickTime 6.0 plug-in

(23 black and white photographs)


Jens Gorlich


Jens Görlich
CA/FL

I can still recall the impression I had when I visited California for the first time:
It seemed to me that up until that moment I had expected to come to the Garden of Eden, which had been somehow promised by glamorous pictures created in Hollywood.

Jens Görlich.

This exhibit requires the Flash 6.0 plug-in.

(18 color photographs)


Mayito


Mario García Joya
(Mayito)

I will keep my images because at the moment I am in fact thinking of collective memory and because I am convinced that I was there by accident, that those photographs do not really belong to me, that they belong to my country and its memories. I will keep them until history can be told just as it happened or until, like now at ZoneZero, I am invited to exhibit my photographs together with my own discourse.

Mayito

(33 black and white photographs)


Joan Fontcuberta


A few years ago, midway through 1994, I had the idea of organizing an exhibition that would show the incursions into the world of photography of Picasso, Miró, Dalí and Tŕpies, to my mind the four most important engish artists of this century.

Joan Fontcuberta

This exhibit requires the QuickTime 6.0 plug-in

(63 color photographs)

Meyer


Pedro Meyer
I Photograph to Remember

As a photographer, I have worked in many parts of the world and in an array of circumstances that would lead me to capture images of “the other” facing situations all the way from birth to death. I felt it a matter of integrity on my part that my camera should be capable of grasping images of my own family as much as I would photograph the lives of those who I had never met before.

Pedro Meyer

This exhibit requires the Shockwave andQuickTime 6.0 plug-ins.

Ricardo Gomez Perez


It all began one day with a big scare. I wanted to have the first one and the scare came with the second ones. Then I only saw two points in the image of the ecosonogram. Now they were three. They then became my admired ones day after day. They kept on growing. They started taking their first steps. I had eyes only for them. All my time was for them too. I had to photograph them and I began doing so.

Ricardo Gómez Pérez

(26 black and white photographs)

Navarro


Rafael Navarro

To me photography is a medium. A medium that allows me to speak when I cannot find the words. A medium through which I explore my subconscious, bringing to the surface contents, hidden feelings. A medium that allows me to create objects containing subtle values intelligible to others. A medium that lets me breathe my freedom.

Rafael Navarro

(41 black and white photographs)

Fran Herbello


I like to play with everyday elements creating new situations that break the usual way of seeing the familiar. I carve on the skin, I make ephemeral interventions which I document with truthful, scientifically rigorous black and white images.

Fran Herbello

(24 black and white photographs)

Witkin


Joel-Peter Witkin

Joel-Peter Witkin has been called ‘part Hieronymous Bosch, part Chainsaw Massacre.’ His photographic tableaux, carefully arranged and painstakingly printed, offer us the chance to transcend subject matter, and enter what Witkin calls a world of love and redemption.

Parental or teacher guidance for viewers
under 18.

(13 black and white photographs)

rodriguez


Let's begin, safely, with an idea. An idea about a cataclysmic fuck, Mexico's big bang. Half a century ago, Octavio Paz wrote of the "masks" Mexicans have crafted over time, mythic identities whose function is to hide the trauma of "la chingada " (from the verb chingar, "to fuck," literally and figuratively), that is, the Conquest, which was essentially a sexual act -the rape of native by conquistador, from which modern Mexico's mestizo identity was born.

Rubén Martínez

Parental or teacher guidance for viewers
under 18

(30 black and white photographs)

cravo


Christian Cravo

When the minimum resources necessary to survival are denied to mankind, even in precarious conditions, when isolated over great territorial areas, desertlike or suffering little influence from urban centers or a more modern administrative power which would bring order to the context as a whole, these populations take on, due to abandonment which is very often secular, a form of resistance with characteristics of mysticism, religiosity, and unshakeable fervor. The cyclical pilgrimages are the heartbeat of the coming together again of these lost populations in the immense vastness of Brazil's Northeast.

Christian Cravo

(20 black and white photographs)

tina


This project is about childhood experiences and identity. When we leave childhood something dies within us. First and foremost the immediate fantasy, the gift of seeing the world in an irrational way, but also the gift of shifting rapidly from sorrow to happiness.

Tina Enghoff

This exhibit requires the Flash 6.0 plug-in.

(20 color photographs)

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