I like to play with everyday elements creating new situations that break the usual way of seeing the familiar. I carve on the skin, I make ephemeral interventions which I document with truthful, scientifically rigorous black and white images.

Neutral backgrounds and opposites that dance between rejection and laughter, between what is seen and what is, making use of the closest and least elements.
These are broken times.

We are living a return to the intimate. The restructuring of an identity assailed by a digital and accelerated society is attempted through withdrawal and self-analysis.The body does not find its place, the digital does not fit in with its material nature, and its direct relationship with sensations is fading away.

There is the possibility of moving through virtual spaces with an adopted and idealized body.

The reflexive verbs which describe actions made on the body itself lose their quality.

It is no longer I the one who moves my body, the one who moves.