The inspirational source for the cover of Karen Robards' steamy thriller Bait is not as obvious. Seen next to Nude, London 1952, one of Brandt's most popular and widely-reproduced images, there does seem to be a similarity, but is it a case of influence or merely coincidence? Photographers do, after all, look at each others work, and can't help having their vision shaped by the icons of photo history. And if the resemblance is coincidental, just what is it about the combination of raking side-light and the undulating crook of the subject's arm that made both photographers trip the shutter?.