|
|
|
One
million people march in Los Angeles
Nadia Baram and Pedro Meyer
May 1st. 2006
May
1st was an important day in American History. Millions
of Hispanic workers, most of them of Mexican origin,
came together to express in unison “Aquí estamos
y no nos vamos, y si nos echan, regresamos” (Here
we are, and we are not turning back, if you kick us
out, we will come back). What the organizers referred
to as “A day without immigrants” became
a wave of nationwide protests and a call for undocumented
workers unity across the United States. The purpose
of the protest was to stop the Border Protection, Anti-Terrorism,
and Illegal Immigration Control Act that was passed
by the American House of Representatives on December
16, 2005, and under which “unlawful presence” would
now be considered a crime and a felony. |
|
|
|
|
FOTOFEST
2006
I
was invited to attend FotoFest once again this year.
It's usually in my capacity of a "reviewer of
portfolios". I am not sure if this is accurate,
but I think the idea of reviewing portfolios was born
at FotoFest, if not, then they surely elevated this
practice to a fine art, which then has been imitatated
the world over by other festivals. But be that as it
may, what happens at FotoFest is very worthy for all
those involved, in every sense of the word.
Pedro
Meyer |
|
|
|
Photographer
held for hours by Police
A
local photographer is looking for an apology after
he was held for hours by police. He was taken into
custody for questioning because of what he decided
to snap a couple of shots of. |
|
|
|
© Philip-Lorca
di Corcia
|
The
Theater of the Street, the Subject of the Photograph
In
1999, Philip-Lorca diCorcia set up his camera on a
tripod in Times Square, attached strobe lights to scaffolding
across the street and, in the time-honored tradition
of street photography, took a random series of pictures
of strangers passing under his lights. The project
continued for two years, culminating in an exhibition
of photographs called Heads at
Pace/MacGill Gallery in Chelsea.
Philip
Gefter |
|
|
|
|
Telling
Tales
by Richard Hector Jones
Digital
Storytelling is about reclaiming the tradition of storytelling
from the mass media as much as it is about creating
personal or social history – a way of dragging
the oral tradition up to date through the most basic
of technology. |
|
|
|
|
First
Digital Camera that is better than Film
Can
a digital camera really outclass color film?
According
to tests done by Popular Photography, Canon's new 16.7
megapixel EOS 1Ds Mark II took better pictures than
a regular SLR camera (Canon's EOS 3) shooting high-quality
ISO 100 film.
Popular
Photography |
|
|
|
|
Beyond
the Camera
First Match Human Vision. Then Surpass it
by Alexis Gerard
By
affirming "you push the button, we do the rest",
George Eastman created the photography industry. Today
the future of that industry lies in extending its partnership
with users to enable them with a true synthetic eye — an
image capture device that forces no compromises compared
to human vision — and with the full complement
of tools needed for the coming age of pervasive visual
communication. |
|
|
|
|
Who
Owns Seydou Keïta?
by Michael Rips
A
tin of negatives buried in Africa for three decades
that, when opened, revealed the work of a photographer
who was neither "outsider" nor "indigenous" but
spectacularly modern. |
|
|
|
|
Mobile
is the New Digitaly
by Alexis Gerard
For
the Imaging Industry, "Mobile is the New Digital".
Much as digital imaging began as a niche and became
pervasive over the course of a decade, mobility – continuous
wireless connectivity to a high-bandwidth global network
- will soon be integral to every imaging product and
service. The tidal wave of transition is already upon
us. |
|
|
|
|
Pam
McCartney
by Alex Waterhouse-Hayward
When
Pam McCartney walks into my studio I am walloped visually.
She is an asymmetric delight that I am not quite accustomed
to. This is because I have always suspected that our
attraction to symmetry is innate. To begin to appreciate
the lopsided view, we often have to turn to visual
arts. One of the last bastions of symmetry is the car.
Cars, except for small details such as the gas tank
flap, are the same on both sides. American designer
Raymond Loewy pointed out that with the steering wheel
on one side, cars have always been asymmetric already.. |
|
|
|
|
Photography
as Clay
by Roger Bruce
The
plasticity of the digital photograph is astounding.
Limited only by the imagination or possibly, processor
speed, new tools offer seamless efficiency in intra-image
editing for manipulation and montage. Occasionally,
such new software capabilities will spawn a new fashion
of graphical effect or visual cliché before
assuming a reserved availability among all of the other
tackle in the digital toolbox. |
|
|
|
|
Project
Iconography of the Mexican Stage
by Héctor Quiroga Pérez
When
the Theatre Research Center "Rodolfo Usigli" (CITRU)
was founded in 1981, the photographic material of the
Armando de Maria y Campos Archive became one of the
materials that needed to be organized by the Phototheque
of the Center. Since 1990 the new Audiovisual Materials
Department had transformed into a workshop in which
physical cleanliness and reorganization of the scattered
materials was the main goal, looking to set up a series
of Photo Shows in the Center’s facilities in
1992. |
|
|
|
All
Photographs Copyright © by ZoneZero - All Rights Reserved
- Use By Permission Only
Entire Web Site © Copyright 2008 by ZoneZero - All Rights
Reserved |
|
|