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The Education of a Photographer
Edited by Charles H. Traub, Steven Heller, and Adam B. Bell
Review by Hans Durrer (Switzerland)
“This lively and idiosyncratic collection of writings from the diverse thinkings about photography will bring encouragement and insight to all of those engaged in lens-based media in the twenty-first century. From the early twentieth-century masters to the postmoderns and on to today's incisive visionaries, this thought-provoking book will navigate the reader through the varied landscape of photography, eloquently expressing what it means to be a photographer" one reads on the backside cover and that is, essentially, true save for the fact that not all authors express themselves as clearly and eloquently as, say, John Szarkowski or Berenice Abbott". |
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Photoshop.
Masking & Compositing
by Katrin Eismann
Review
by Mariana Gruener
Perhaps you are of the likes of Katrin Eissman, who realized
that she could not get all she wanted to express with a
single camera shot and decided to make image composites.
She started out cutting photos with her scissors, put them
together with tape or did photo-montages in the darkroom,
until one day she found that a computer offered the possibility
of putting her ideas to practice in a much faster, easier
and simple way. |
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Whenever
the Magnum agency is mentioned, the names of Henri Cartier-Bresson,
Robert Capa and David Seymour immediately stand out among
the founding members list. However, there is another founding
member that -perhaps because of his shyness and modesty-
has been forgotten: British photographer George Rodger.
This makes Carole Naggar’s biography of Rodger; George
Rodger: An adventure in photography 1908-1995 a book
of great importance that not only allows us to get close
to one of the top photo reporters of the 20th Century, but
also tells us about an unknown episode regarding the founding
of the most important news photo agency of the world.
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Through
the magnifying glass: Painters or Photographers?
by Doifel Videla
In
December 2001, an eventful conference was held in New York,
crowning two years of intense research during which the
painter David Hockney collected evidence to prove the thesis
that the nature of painting was radically altered when it
adopted the projected image as a tracing pattern.
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Tlacotalpan.
Mariana Yampolsky / Elena Poniatowska.
By
Alejandro Castellanos
"At
once I felt the desire of capturing those images, a world
I had not seen, a surreal world, a living museum with people
who were anchored to the past without losing sight of the
times ahead."
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PhotoShop
Restoration and Retouching
by Katrin Eismann
Book review by Pedro Meyer
"One of the problems that I get to hear most often,
has to do with training. If someone states that they are
interested in learning how to work digitally in photography
then "what school do you recommend ?" is the next
question that always follows."
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A
Daily report 1999:
by Frank Horvat
Book
review by Trisha Ziff
"There
is something about Daily Report, which draws me to return
to it. A book as the title indicates of images taken each
day during the last year of the millennium by French photographer
Frank Horvat; a visual diary."
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Boystown:
La Zona de Tolerancia
By
Nell Farrell
"I slept well last night, cozy and warm in the silence
and pure darkness. For breakfast I had hot coffee and sweet
bread, sitting in the sun. But I feel hungover, tired, used
and abused. I feel like my body has been handled by fat,
clammy male hands, my throat stings from stale cigarette
smoke, and I smell flat, warm beer. I have just read through
Boystown."
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Book
Reviews: Chaos
by Josef Koudelka
by Nubar Alexanian
"When
I look at the images in Chaos, I hear the music of
Miles Davis, of darkness and beauty. One could argue that
the subject of this work is desolation and emptiness. And
certainly these are part of almost every image. But the
depth and breadth of this work comes from a kind of self-imposed
challenge, one which wonders how dark an image can be and
still maintain beauty.
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Book
Reviews: Migrations
& The Children by Sebastião Salgado
by Nubar Alexanian
Sebastião
Salgado has always been high on everyone's list of documentary
photographers. But with Migrations and The Children (Aperture),
his two recent books, Salgado has propelled himself into
his own category with a body of work that could silence
even his harshest critics.
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Book
Reviews: Signs
and Relics by Sylvia Plachy
by Nubar Alexanian
In
the foreword of Sylvia Plachy's new book, Signs & Relics,
Wim Wenders writes: "Whoever came up first with that
saying 'a picture is worth a thousand words' didn't understand
the first thing about either one.
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