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To
go to an exhibition click on the name of the exhibit
or the artist |
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Hugo
Cifuentes
Remembering Father
Hugo
Cifuentes, was a very enigmatic figure. A
great photographer, a highly recognized painter
and graphic artist, known mainly in his own
country, Ecuador.
A
very stern and demanding task master, very much
in the old school tradition of seeing
the world and those around him. However, his
images are strewn with humor and light heartedness.
His demeanor in life and his images, did not
share many things in common.
Pedro Meyer
This
exhibit contains video and audio files
that require the QuickTime
6.0 plug-in. |
(27
black and white photographs and 24 drawings) |
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Martin
Parr
Mobile Phones
This
project shows people talking on mobile phones all over
the world.
There
is no escaping this modern phenomenon and my relationship
is one of "I couldn't survive without it"
but what a pain in the arse they are. I try to photograph
contemporary hypocrisy.
Martin Parr
(47
color photographs) |
|
Manuel
Rocha
Offbeat Japan
"This
exhibition is the result of 7 months of work in Japan.
I lived there from August 2001 to April 2002. The main
goal of my original project was to interact with Japanese
culture and to produce sound art works that would be
the result of this interaction. The emphasis and focus
on the discipline of listening is fundamental in Japanese
culture."
Manuel
Rocha
This
exhibit contains video and audio files that require
the QuickTime
6.0 plug-in. |
(51
color photographs, 19 QuickTime videos and 5 audio files) |
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Marcela
Taboada
Women of Clay
"I
started this project in 1999 as a documentary about
the women of San Miguel Amatitlan in Oaxaca, Mexico,
who where building their own houses"
Marcela
Taboada
(18
black and white photographs) |
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Dominic
Rosue
"One
thing the photographs all have in common and that is impeccable
craft. Many of the pictures had their genesis in drawings
years ago and the images are constructed more like a sculptural
work or a film than a photograph" Victor
H. Carroll
(20
black and white photographs) |
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"The
scars we leave on the land betray a wider addiction
to conquest and domination; a constant, casual recourse
to hypocrisy and denial. We benefit from the machinery
of plunder, but are ultimately trapped by it. No wonder
that in the end even our own captive, domesticated landscape
reproaches us..."
David
Stock.
(23
black and white photographs) |
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Tetsuya
Tamano
"Tetsuya
Tamano Developed this body of work during his residency
at Fábrica, Benettons communication research
and development centre. When asked to develop a visual
project to depict his view of contemporary society, Tetsuya
came up with these strong and often disturbing images"
Fábrica
(12
color and black and white photographs) |
|
Steve
Pyke
I
remember in 1969 sitting with my mother and father and
watching Neil Armstrong and Buzz Aldrin walk on the
moon. The memory will never leave me. From it came a
desire to meet and photograph the principal characters
in this incredible story.
Steve
Pyke
This
exhibit contains video and audio files that
require the QuickTime
6.0 plug-in. |
(18
color and black and white photographs) |
|
Mike
Abrahams
FAITH
A Journey With Those Who Believe
This
body of work which has taken up the last four years
has been spent with a group of people for whom there
is no doubt, only certainty, passion and an absolute
conviction dominate their lives. These are people in
whose name more wars have been fought and even more
have been oppressed and manipulated.
Mike
Abrahams.
(24
black and white photographs) |
|
Photographic
Workshop of Guelatao
The Inner Gaze
This
project is meant as a contribution to the contemporary
presence of native cultures in Mexico, so that they
can be seen as creation rather than folklore or handicraft.
"The Inner Gaze: Photographers from Guelatao"
documents the habits and customs that are part of the
daily lives of the community. Photography becomes the
mirror through which the world of Guelatao is approached
in its most critical proximity: the inner gaze.
Mariana
Rosenberg
(24
black and white photographs) |
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Ana
Casas Broda
Album
This
work is the result of my need to find my roots and an
identity. The process of making the book became an exploration
in many ways. I submerged myself in my own diaries and
those of my grandmother and once again discovered that
we share a profound need to capture time through words,
photographs, tapes, film and videos. And these objects
allow us to see our life cycle.
Ana
Casas Broda
This
exhibition contains video and audio files that
require the QuickTime
6.0 plug-in
and
the Flash
6.0 plug-in. |
(84
color and black and white photographs) |
|
Jeronimo
Arteaga
Living in the desert
Living
in the Desert was not created to denounce this situation
but as a documentary work, and also as a thought exercise.
When the people I take portraits of ask me what I want
the pictures for, I answer that I want to show them
to other people. I tell them that their life and their
way of life is interesting to other people in other
parts of the world. Basically, I seek to recognize myself
in others.
Jeronimo
Arteaga
This
exhibit contains video and audio files that require
the QuickTime
6.0 plug-in. |
(20
black and white photographs) |
|
King
Tong Ho
The Photographic Representation
With
emerging, innovative, digital imaging technology, the
practice of photography has been extended to include
manipulation6 by digital tools in the post-photographic
stage. This has challenged notions of analogue photography
which argued that once an image was recorded by optical
means then the image became a physical (mechanical)
proof of origin of an event.
King
Tong Ho
(19
color photographs) |
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Santiago
Porter
The Absence
On
July 18, 1994, at nine fifty three in the morning, a
bomb exploded in front of the building of the Argentine
Jewish Mutual Association. The AMIA.
In
a way, the AMIA was the home of the Jewish community
in Buenos Aires. In the building, located in the heart
of the city, a whole set of social, cultural and educational
activities took place.
Santiago
Porter
(12
black and white photographs) |
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Gerardo
González
A Dog's Life
In
most cases, the life a dog is forced to lead with us
humans in society is not pleasant. These are suffering
beings. A Dogs Life attempts to portray
human consciousness as reflected by the life conditions
we have imposed on these living creatures we call dogs.
Gerardo
González
(27
black and white photographs) |
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