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go to an exhibition click on the name of the exhibit
or the artist |
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Shahidul Alam
"Brahmaputra, a journey to the source of Asia greatest
river"
"It
started from a longing to cross other boundaries.
Reaching across boundaries of time, across boundaries
of political space, across racial and cultural barriers
of language, race and religion. To go back in time
to how our environs were created. The answer lay in
a river. Amazing as much for its physical grandeur
as for the history hidden in its rocks and its exuberant
flow. The Brahmaputra. The son of Brahma."
Shahidul
Alam
(23
color photographs)
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Don Gregorio Anton
"The total sum of solitudes"
"The work is based on a belief that photography is the evidence of sight which can be addressed and healed through observation. I create imagery to help navigate and formulate my right to see, to accommodate the positioning of my soul in the world. From here I locate and determine that thin layer of reality that surrounds perception and align my vision to that which guides and teaches. I use the residual affect of silver and light to record a source of inquiry into the mysteries that surround me."
Don Gregorio Anton
(25 black & white photographs)
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José
Enrique Sternberg
"Tren
Blanco"
The train of the cardboard-pickers
"'Cartoneros'
(cardboard-pickers) who now sum up to 30,000 persons,
travel every day to Buenos Aires city from the peripherials
in different transportations, fundamentally by railroad.
The images in this exhibition show how this people
travel daily in the interiors of Ferrocarril Metropolitano's
freight cars, totally deteriorated without the minimun
sanitary infrastructure, however this railroad company
charges them a monthly fee, equivalent to a day's
salary..."
José Enrique Sternberg
(11
black & white photographs)
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Liz Darlington
"Constructs"
"In this series of travel images, significant moments
in time worthy of the travel snapshot are composited
into amalgams that intend to subvert the travel photographer’s
intention of capturing the decisive moment, that is,
a specific moment in time and place. They seek to question
the relationship between photographic representation
and memory. Our nostalgic view of personal experience
is frequently undefined, distorted and defies chronological
temporality"
Liz
Darlington
(20
black & white photographs)
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Li
Zhensheng
"Red-Color News Soldier"
A unique archive, hidden for over 30 years.
"For
a long time in the Western world, Mao Zedong and the
Cultural Revolution were perceived with amazement and
fascination; only very rarely with horror. In the late
1960s and early 1970s, rioting students around the world
were inspired by the finger-pointing, slogan-shouting
style of the Red Guards.
Even today, all the chaos of that period can seem somewhat
romantic and idealistic in comparison with the contemporary
Chinese society we see and hear about. With this in
mind, it was necessary to produce a clearer and more
truthful image of the violent turmoil that turned China
upside down during the Cultural Revolution. Li Zhensheng
was the one person who, through his exceptional photographic
legacy, could convey an authentic vision of this tragic
period".
Robert
Pledge
(23
black&white photographs)
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"There
is a Country..."
Rosa Revsin´s photographs.
Juan
Rulfo’s writings have not inspired these photographs.
On the contrary, some where in my mind, a new sense
of the images spawned off when it encountered the
texts of these wonderful stories, in which the living
and the dead coexist with no clear boundaries. Therefore,
“There is a Country” is not an attempt
to describe; it is just my tribute to Rulfo’s
greatness and to the greatness of his characters,
tragically reborn today in Latin America’s underprivileged
masses.
Rosa Revsin, November 2003.
(18
black & white photographs)
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Asim
Rafiqui
"Trapped in someone else's dream"
| "In
the rush towards finding peace in the Middle
East we seem to have lost sight of the occupation.
Ironically, the current 'road map' to peace
does not even mention that the Palestinians
are people under occupation. The occupation
however is a daily lived reality for the millions
of Palestinians in the West Bank and Gaza. Its
implications are starkly apparent in places
like Rafah, Gaza; a town of about 100,000 habitants
in Southern Gaza."
Asim
Rafiqui
(25
black&white photographs) |
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Juri
Nesterov
"Ukraine"
"The
youth (early years) of these people coincided with the
middle of the 20th century. That was a hard time. Stalin
dictatorship, War against Hitler. The time of War, hardship
and repressions. They all took part in the biggest fight
of The World War 2 - battle for Stalingrad. More than
1 million militaries from each side participated in
it. It was the time when "human life worth nothing"
- one of the characters said then."
Juri
Nesterov
(22
black & white photographs)
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Proyecto
Abril
| "The
April Project outlived the month that gave it
its name and became this wide range of exciting
glimpses, as if the original limitation had
never existed. 17 different wills became a single
photographer, restlessly shooting in many different
places, living many lives at the same time.
An entire life can be seen in the blink of an
eye."
Daniel
Merle
(
black & white and color photographs) |
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Julio
López Saguar
"Inside,
Under, Behind"
"What
about that drum set half covered by a cloth in a garage?
Does it hide a famous rock band or a group of friends
that will put their heart and soul into a dead end
music career that will bitterly end in a few short
years?
We all hide unmentionable secrets behind our own façade
sometimes we cover them under the gauze of our smile
or we hide them very deeply, only to let them out
when we are not seen by anyone".
Julio
Lopez Saguar
(25
color photographs)
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Ken Merfeld
"There is an elegant simplicity and a purity to 19th. Century photography and the Wet-Plate Collodion process is illusive, magical, and has a life of chemical interpretation all its own. It is the most intimate of photographic experiences, requiring a psychological exchange of intellect and emotions rendering handcrafted heart and soul portraits."
Ken Merfeld
(26 black & white photographs) |
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| Daniel
Milnor
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"Those around me keep asking, “why,”
but I never seem to find an answer. Perhaps
there is no “why,” there is nothing
deeper than the experience of creating for selfish
reasons.
This
is not sad, this is enlightening.
If
they dig too deep they might not like what they
find, and why does there even have to be a “why?’
Is it for ego, for textbooks, is it learned
artistic behavior?
Daniel
Milnor
(32
black and white photographs)
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Salvelio
Meyer
"Processions and transitions"
| "Processions
and Transitions reflects how I see what is happening
in modern Spain. It is also a tribute to Machado,
and to the many other poets, artists and intellectuals
who have shown Spanish culture in all its complexity
and beauty, without resorting to the clichéd
aspects used in so many documents about this
magical land."
Salvelio
Meyer
(19
black and white photographs) |
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Pericles
Lavat
"Your father waz here, motha' fuckers"
Photos
of an abandoned jailhouse
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“One of the rites of man when arriving
to a new site, when occupying a place -whether
as a house or as a work space- is to erect an
altar.
We
fill the walls and furniture with objects that
speak of who we are and why".
Pericles
Lavat
(21
color photographs)
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Leonardo
Liberman
"Two Worlds, One Story"
| "I
approached the world of special children for
three months, in a public school in Buenos Aires.
Up to then I did not know many aspects, how
they were like, how they relate to each other,
how they live with the same ideas we have."
Leonardo
Liberman
(14
black and white photographs) |
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| Humberto
Farro
"Bar El Chino"
| "On
the walls of "El Chino" bar, with
their 50 years of history and memories, there
are pictures, paintings, autographs and posters
randomly placed next to a couple of singers
and a guitar, this is sufficient to take us
back to a past that is not that far awayin terms
of time, but very far from our present reality.
A past that we are losing."
Humberto
Farro
(20
black and white photographs) |
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Pablo
San Juan
"Monsoon"
| "I
remember that when he returned form his first
trip to south East Asia, Pablo wanted to do
a series of photographs dedicated to the theme
of water. This, I believe, was due to the rich
and varied nuances that this meteorological
phenomenon generates when it is reproduced on
photographic paper."
Nuria
Enguita
(27
black and white photographs) |
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Daniel
Machado
The Rodelu Family
| "This
work deals with the relentless effect time has
on a family, the exhaustion, the deterioration
and the solitude in a house that gradually was
inhabited by the absences"
Daniel
Machado
(20
color photographs) |
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Barry
Jackson
| "The
images I produce are representations of my imagination
at specific moments in time recorded by me as
a way of remembering thoughts and ideas I once
had."
Barry
Jackson
(13
color and black and white photographs) |
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| Diego
Levy
Blood
| "As
a photographer, I always liked the detective
genre. In the last three years I established
direct contact with the street violence in Buenos
Aires, even when these cases had little interes
for the newspapers, I thought that it was an
interesting and rick topic."
Diego
Levy.
Parental
or teacher guidance
adviced for people under 18.
(26
black & white photographs) |
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